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The second annual Rhythm and Blues Christmas Concert showcased a roster of artists known for their holiday albums. Instead of centering on seasonal songs, the night served as a nostalgic excuse for a trip back to the sincere and heart-rending sound of 1990s R&B.

Opening Performances: Classic Feelings

Dru Hill presented classic R&B in matching attire, with videos from the 2000s era displaying on screens behind them. Next, a performance of mostly ballads from the artist Joe set the stage for the headlining artists.

The Powerful Performance

The opening of Burna Boy’s Last Last skillfully transitioned into He Wasn’t Man Enough, tying in Braxton's musical heritage. Initially, her show with a live band appeared anchored in the era of her greatest success.

However, deep into her set, she opened up about her battles with lupus and being told she might not sing live again. Singing Breathe Again in a single spotlight, she delivered a deeply heartfelt moment. “For as long as I live, I will never forget tonight,” she declared sincerely.

Power chords then launched the audience into Long As I Live, solidifying her grip over the crowd's hearts. She encored with an impeccable, though slightly abridged, version of her iconic hit, Un-break My Heart.

The Group Boyz II Men: Harmony Masters

Taking the stage in dazzlingly matching white outfits, Boyz II Men began with Motownphilly. They moved through classics like Water Runs Dry and On Bended Knee, demonstrating awe-inspiring three-way harmonies that were both tight and responsive to their accompaniment.

Their set included covers of inspirations, including a standout solo on Purple Rain, and songs influenced by them, like Bruno Mars’s Locked Out of Heaven.

A Touch of Holiday Cheer

Towards the end, the evening embraced the holiday mood with renditions of Silent Night and Let It Snow. The show concluded with a powerful closing run of anthems including One Sweet Day, I’ll Make Love To You, and End of the Road.

Final Thoughts

While the evening's production experienced some glitches, and the sense at points was of artists paying homage to their past selves, the overall effect was transportive. The audience was temporarily taken back to the golden age of R&B, leaving sprinkled with sparkle rather than snow.